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Now I know I should say The Stompers but, similar to my experience with the Fools, I never really liked them. They always struck me as arrogant, and yet, they are obviously talented or they wouldn’t be still at it.

No, I’m choosing a short-lived band I went to see several times called the Sex-Execs (great gig memory: Sex Execs and Lou Miami at the In-Square Men’s Bar).

I found two of their songs on YouTube:  “My Ex”  and Tami-itis. They really did dress in suits like on the photo at the left and the “My Ex” video. They made very danceable music, and they had a saxophone and a harmonica! Great stuff!

I found this brief Sex Execs history on the web site for saxophonist Ed GershonGershon was quickly inducted into the Boston power pop/soul/punk band the Sex Execs in 1982. The Sex Execs included guitarist/saxophonist/double-visionary Sean Slade and bassist/producer Paul Kolderie, who have gone on to produce dozens of rock hits, including the recent “God Bless the Go-Gos.” Also aboard was harmonica wiz Jim Fitting (later of Treat Her Right and The The), and drummer Jerome Deupree. According to Wikipedia, musician/producer Joe Harvard and members of the Sex Execs, engineers Paul Q. Kolderie, Sean Slade, and Jim Fitting built Fort Apache Studios as a collective in 1985. 

Not sure I would really call them “punk”, but I agree with the “power pop/soul” part of the description. Listening to their music now, there are elements of other 80’s bands like ABC. And yet, their image preceded the early 90’s lounge revival that produced bands like Squirrel Nut Zippers.

The band was a finalist in the 1983 WBCN Rock and Roll Rumble. Unfortunately for them, they were up against Aimee Mann (who I LOVE) and “Til Tuesday, who would go on to be signed to a major label contract and achieve national success.




Jane and I weren’t huge fans of Boy’s Life, but we inevitably saw them a few times as the opening band for our favorite headliners. What made them stand out in the scene at that time were some well-written songs and a horn — not many bands had a horn.The band members were young, and they were set up as the alternative to the other “young” band on the scene, The Outlets (I”ll be writing about them when I get to “O”).

The first time we saw Boy’s Life, they were opening for The Atlantics at a club on the North Shore (unfortunately I don’t remember the name of it…after what happened we never went there again). We listened and watched from a table near the front. We didn’t dance because it was early and we were saving our energy for The Atlantics. Still new to the club scene, I made a fatal error that night: when the Atlantics came on, I left my purse on my chair while we danced. Thus, a fun night ended badly; my wallet was stolen. When I spoke with workers there, I got a shrug with NO sympathy — to them, I was the idiot that left my purse. I DO learn from my mistakes though; I never brought my purse in a club again. From then on I would either leave it in the car, or just bring money and my driver’s license in my pocket.

I think the only other time we saw Boy’s Life play, it was as part of the WBCN Rock and Roll Rumble (1980). The postscript to the story is that many years later I met the brother of the lead singer, David R.Surette, who helped pen some of the songs (see my previous blog). We had a great time talking about clubs and bands of that era. It’s ultimately a small world.



et cetera
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